Benedicite

Full Score.jpg
Full Score.jpg

Benedicite

from 2.50

a joyful work for chorus, string orchestra, oboe, and C trumpet (10')

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To purchase this piece for performance, add the "Full Score and Parts" to your shopping cart, then add the number of "Vocal Scores" that you plan to print.
The Full Score is formatted for 11x17in. paper, the parts are formatted for 9x12in. paper, and the vocal score is formatted for 8.5x11in. paper.

Completed in January, 2016.

Instrumentation: SATB chorus (with divisi), string orchestra (minimum 2.2.2.2.1), oboe, C trumpet

Commissioned by the Spiritus Chamber Choir.
Dedicated to Timothy Shantz and the Spiritus Chamber Choir, on the occasion of its 20th anniversary. World premiere on March 12, 2016

Text: from the Book of Daniel (in Latin)

This new work contains vivid musical ideas and strikingly impressive choral and instrumental textures. Using the same instrumentation as Vivaldi’s Gloria, this new setting of the Benedicite ... is set as one, continuous movement. Within it, however, there is much contrast in style and pacing, the music evidently alive at every turn.
— Kenneth Delong, The Calgary Herald

Program Note

One of the less-explored emotions in contemporary classical music is joy. Perhaps this is understandable; in a world of seemingly inescapable violence, lingering oppression, and diminishing interest in art, it can be hard to find reasons to “make a joyful noise.”
When I was asked to compose a piece for the 20th anniversary of the Spiritus Chamber Choir, a choir in which I sang for four years, I decided to write with unapologetic joy. The Benedicite is a canticle from the Book of Daniel. It’s a text that celebrates all of God’s creations: light and dark, fire and ice, human and animal. This broad celebration of life seemed a perfect text to celebrate a choir and, more broadly, all people who come together to sing.
The piece opens with explosive canons in the string orchestra, and the antiphonal oboe and trumpet herald the choir’s entrance. This opening refrain, which celebrates the heavens, recurs throughout the piece, contrasted with slower and more colorful sections that explore earthly creations.